After the Quarry
Eighty-two duotone plates made across six years in disused limestone sites in Indiana and Tennessee.
01 — Featured release
Architecture, Routine, and the Rooms We Keep
Architecture, Routine,
and the Rooms We Keep
A study of ordinary spaces and the structures that quietly shape daily life.
$68
Printed in an edition of 1,200 by Versa Press. Bound in Wicopy cloth over board, with a sewn binding and a foil-blocked spine.
“Vale has assembled a book that treats the ordinary room as a document. Nothing here is remarkable, and that is precisely the argument.”
— Review of Books, March 2026
02 — Current releases
06 titles / 2025—2026
Eighty-two duotone plates made across six years in disused limestone sites in Indiana and Tennessee.
Fourteen essays and ninety-two plates on the rooms people actually live in.
A catalogue of forty-two everyday objects, drawn to scale and annotated by the people who made them.
Field writing and photographs from four coastlines, recorded across three winters.
Twenty-six studios visited, photographed and interviewed over a single year.
Working papers from the MORROW studio: proofs, correspondence, and two essays that were not finished in time for Issue 04.
03 — Journal
Essays, conversations, studio visits and visual studies, published online between issues.
On anonymous furniture, repeated use, and the objects that quietly outlive the people who designed them.
A stacking chair, maker unknown, photographed in a village hall in Oxfordshire.
Mill building, Lowell, Massachusetts — January 2026.
A mill photographed across the winter after production stopped, with the machines still in place.
Conversation
The industrial designer on tooling, repair, and the value of keeping things longer than is strictly efficient.
North's bench, unchanged in layout since 1998.
The same cut face, photographed each spring between 2020 and 2026.
04 — Publication feature
Photographs by Elena Ross, 2019—2025
Cut face, Bedford County, Tennessee — 2023, plate 41
Elena Ross
Elena Ross began photographing disused limestone quarries in 2019, intending to document industry. What she found instead was weather. The cut faces had already begun to soften; water had found the old channels and was doing the slow work of regrading them.
The book follows fourteen sites across Indiana and Tennessee, returning to several of them every spring. Plates are sequenced by return rather than by geography, so the reader notices the same wall twice and sees what a year has done to it.
Two short essays — one by the photographer, one by the geologist Ruth Achebe — sit between the plate sections, and a folded index at the back records every visit: date, weather, exposure, and what had changed.
Edition of 750 — 214 copies remaining
I went looking for industry and found weather. The sites were already changing before I arrived; the camera only recorded how slowly.
12Plate 12
Plate 1313
58Plate 58
Index of visits, spring 2019 to autumn 2025. Each entry records date, weather, exposure and the change observed since the previous visit.
Plate 5959
30Plate 30
Plate 3131
76Plate 76
Section four
“The last site was the hardest to leave. There was nothing left to photograph except the way the light came in.”
Plate 7777
Edition of 750 numbered copies, of which 214 remain. A separate edition of 25, each with one silver gelatin print made by the photographer, is available directly from MORROW.
$85
04
MORROW Journal Nº 04
An issue about what happens after the work is finished: the repairs, the reprints, the buildings that only survive because somebody keeps them.
01
Mara Vale
pp. 8—34
A short history of MORROW's own backlist: what it costs to keep a title in print, and why we reprint rather than replace.
02
Joseph Anand
pp. 36—62
Forty years of maintenance records from a single civic building in Leuven, read as a design document.
03
Elias North in conversation
pp. 64—88
The industrial designer on designing for the third owner, and on the drawings you make for a repair that has not happened yet.
04
Sofia Brandt
pp. 90—118
Four days in Ghent with the binders who sewed Issue 03, recorded in photographs and marginal notes.
05
Tomas Wren
pp. 120—146
A photographic inventory of household things repaired repeatedly until repair itself became the object's most legible feature.
Contributors
Sofia Brandt, Joseph Anand, Leah Mercer, Ines Halvard, Tomas Wren, Elias North, Ruth Achebe, Mara Vale. Design by MORROW Studio. Typeset in Instrument Serif and Inter Tight. Printed by Die Keure, Bruges.
06 — Archive
Twelve titles, 2019 to 2026. Formats, availability and printing history.
12 of 12 shown
First printing of 1,200, March 2026. Second printing under consideration for autumn 2026.
Edition of 750, February 2026. 214 copies remaining. 25 further copies with an original print.
Printing of 600, June 2026. Distributed with subscriptions and through selected shops.
Second printing of 800, January 2026, with four additional plates and a corrected index.
Printing of 1,000, October 2025. Printed in Ghent on uncoated stock.
First printing of 900 exhausted. Reprint scheduled for late 2026; waiting list open.
Printing of 700, 2024, now exhausted. A revised edition is planned for 2027.
Printing of 500, November 2024. 96 copies remaining.
Printing of 600, 2023. No further editions planned; reference copies held at the MORROW studio.
Printing of 300, 2022. Digital edition available to subscribers.
Printing of 500, 2021. Reprinted twice; no further editions planned.
MORROW's first title. Printing of 200, 2019. Occasionally available secondhand.
Availability updated 12 June 2026. Out-of-print and archive titles are listed for reference; the MORROW studio holds reference copies of every title published since 2019.
07 — About
We are an independent publisher. Each title begins with a conversation and is edited, designed and produced in close collaboration with the people who made the work — usually over one to two years, occasionally longer.
Print runs are small, between 200 and 1,200 copies, which allows us to spend time on paper, binding and reproduction rather than on volume. We remain editorially independent: no title is published to support anything other than itself.
Titles are distributed through selected bookshops and institutions, and directly through MORROW. Subscriptions, back issues and limited editions ship from Providence.
08 — New releases
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